Here's another piece I love by Jacqueline which I found on her website.
As seen in Vogue Living 2002
Our moth painting in our lounge room at home
The pair hanging in the Number 16 Hotel in London
I remember the first time I spotted one of Allyson Reynold's moth paintings. I was in my early 20's flipping through one of my mother's Vogue Living magazines. I have posted the exact picture I spotted at the top of this post. I immediately fell in-love with that painting and the room it was hung in.
A few years later my husband and I purchased one of Allyson's moth paintings and to this day I absolutely adore and treasure it. I am often asked about this painting. I believe that Allyson had a couple available at Doggett Street Gallery late last year however, I think they are a little hard to come by these days.
Kit Kemp selected a pair of Allyson's moths for her Number 16 hotel in London. It seems however that Kit has revamped Number 16 as I just checked out their website and the paintings are still there but the room is completely redecorated. I was thrilled to see she kept the moths in place.
Allyson currently has an exhibition at Doggett Street Gallery in Brisbane. Unfortunately it seems there's no moths in her latest works.
I absolutely love the new Miranda Skoczek exhibition which is opening this Friday night at Edwina Corlette Gallery in Brisbane. Miranda's work is so beautiful and colourful and fresh. I am sure the exhibition will be a sell out!! For all enquiries contact Edwina Corlette.
Australian Artist Ken Done
Ken Done's Sydney Harbour Cabin above
The Cabin studio at Mosman, overlooking Chinaman's Beach on Middle Harbour, was acquired by Ken Done in 1979, after he had leased it for sometime prior.
His first encounter with the building that subsequently became a most vital source of inspiration was when Ken was 14 when he and a friend took an alternative route from Cremorne to Balmoral Beach. Walking along the foreshore via Chinaman's Beach, Ken Done recalls his delight at discovering the small cottage:
"Suddenly, miraculously, underneath a huge tree was the most wonderful little building that I had ever seen. It was very much in the style of "The Wind in the Willows", but Australian. A house right by the edge of the water on the rocks, under a spreading Morton Bay Fig and a Camphor Laurel tree. It stood at the point where the rocks and sand and water and beach and land all met. A perfect holiday house or a fisherman's cottage."
By the time that Ken Done's previous studio, The Nook was demolished he knew the owner of The Cabin. The Cabin had been let to a series of tenants and Ken Done made it clear that he very much wanted to lease it to use as a studio. His childlike enthusiasm for the Cabin represents his joy and passion for the place. The components of the cabin studio represented perfection for Ken Done: an exquisite view over the Middle Harbour, marvellous trees and flowers, an exotic paradise. The view of the upper level of the Cabin from the wooden veranda provided Ken Done with further inspiration. It is a view onto a myriad of light effects, the endless patterning of boats, the drama of storms, the power and beauty in nature all from a secure vantage point. In the area surrounding the house, he and Judy have created an oasis of garden which Ken has painted constantly and where in the early years there he shared with his family at weekends.
To have loved a property for so many years and then to have been able to acquire it is an amazing and inspiring story. Ken Done certainly expresses a true sense of Australian style in his work and it is evident that his cabin and it's surrounds have been a huge source of inspiration for his paintings over the years. It was obviously meant to be that he would one day own the place of his dreams.
